Tag Archives: wonderswan color

Box Art, Game Boy Advance, Nintendo DS, PlayStation, PlayStation Portable, Super Nintendo Entertainment System

The Box Art of Final Fantasy IV

3 Comments

As I browsed GameFAQs, searching for these images, a revelation occurred to me. Final Fantasy IV is probably the most re-released game in the long-running series. That’s a fitting fate for it too. It was perhaps the major title to usher in the “golden age” of Japanese role-playing games. At the very least, it was the first game in the series that hinted at the forward momentum Square would have over the next decade-and-a-half with the genre. So, why don’t you join me as I explore the covers Square used to sell the game over the years.

A cutesy move away from the previous games' covers.
A cutesy move away from the previous games’ covers.

The first thing I noticed when looking at the original box art Square used for FFIV is the lack of emphasis placed on Yoshitaka Amano’s artwork. The previous three games featured his renderings of warriors and princesses prominently. This go around though, you’d think he was relegated to the logo only. This wasn’t the case though; Square simply chose to highlight a different aspect of the character designs – the super deformed! It’s cutesy for sure and plasters some common job classes upfront, and I guess I like that they took a different route with it. Oh, and there’s Kain Highwind in Amano’s logo.

Objects as letters! Not as bad as numbers as letters.
Objects as letters! Not as bad as numbers as letters.

When they released it in America for the SNES a year later though, the American branch didn’t even try. It’s simple and it always catches my eye when I scour local game shops for good deals. Maybe it’s not so bad; it does catch my eye after all. They really had to pitch it to us though, didn’t they? They’ve got bullet points on the front of the box! It was released over here as Final Fantasy II since the second and third titles weren’t. This prevented much confusion. And releasing a dumbed-down version prevented much difficulty.

Back to Yoshitaka Amano.
Back to Yoshitaka Amano.

The game was first rereleased for the PlayStation in 1997. The Japanese box art sees a return to the styling’s of Amano. Cecil Harvey and Golbez are prominently featured, although honestly, it’s hard for me to distinguish the rest of the imagery, and even if that really is Golbez and not Kain. Regardless, Kain takes his place in the logo. Cecil definitely fronted a hair metal band before being cast for FFIV. The PlayStation version was released in America too, circa 2001. It was bundled with Chrono Trigger and released as Final Fantasy Chronicles. There’s not much else to mention about the box art.

Bandai? You mean the company that collaborated on the Apple Bandai Pippin?
Bandai? You mean the company that collaborated on the Apple Bandai Pippin?

Little known to many Western gamers, Bandai had a fortuitous deal with Square to rerelease Final Fantasy titles for their WonderSwan and WonderSwan Color. FFIV was released for the WSC in 2002. A decadent airship is featured in the background that was no doubt crafted by the illustrious Cid Pollendina.

Simple.
Simple.

FFIV would next see release on a Nintendo platform again – the Game Boy Advance. It was released as Final Fantasy IV Advance in Japan and America in December 2005, and six months later in Europe. The Japanese box art is simple. Gray silhouettes of Cecil and Kain flank the logo. Meanwhile the American and European release is much more colorful. These versions feature Cecil and Kain, as well as Rosa Farrell for the first time. The box art used for these regions hints at the love triangle between the cast. This is definitely Amano refining the “wispy lines” he’s known for.

Less simple, but I prefer it!
Less simple, but I prefer it!

A few years later, the game saw a full-scale remake into 3D. Originally released for the Nintendo DS in Japan in December 2007, it was released in the back-half of 2008 in America and Europe. It has since been released for mobile devices running iOS and Android systems as well, but those platforms don’t really have boxed games… Japan received another Amano box art, featuring a larger portion of the cast, including the Lunar Whale. Here in America, we received an ominous black box, which formed a holographic Golbez. Europeans received the same essentially. The only difference was the color palette.

The DS covers.
The DS covers.

Finally, FFIV was bundled together with Final Fantasy IV: The After Years and an interlude bridging the two titles as Final Fantasy IV: The Complete Collection. This was released for the PlayStation Portable in 2011 and was the version I played. I think Japan and Europe got the better box art with this release. A large portion of the cast is done in emotive poses, painted in a watercolor style very reminiscent of Amano’s work on the original three games in the series. America on the other hand received gray silhouettes of Cecil and Kain against a white background. This version was very reminiscent of the Japanese release of Final Fantasy IV Advance.

The PSP covers.
The PSP covers.

With a brand as strong as Final Fantasy, the box art doesn’t have to sell the game. This might explain why Square has felt the liberty to rerelease Final Fantasy IV with a multitude of different covers. With much variety for this one game, it’s hard to pick a single favorite. I really like the Japanese and European release of Final Fantasy IV: The Complete Collection. It’s probably the easy favorite. All of Amano’s artwork is awe-inspiring personally. Heck, the Super Famicom release is cool too, in a differentiated cutesy way. I’ll go with my easy favorite though – the Japanese and European releases of The Complete Collection.

First Impressions, Nintendo DS

Front Mission – First Impressions

2 Comments
I think the US box art is very bland. They should have used Yoshitaka Amano's art.

The 2007 Nintendo DS release of Front Mission was the first time the game was available in North America. It was originally released for the Super Nintendo in 1995 and saw upgraded ports for the WonderSwan Color and PlayStation in the years before it arrived here. The game spawned a series and is undoubtedly one of the more well known tactical role-playing games.

Front Mission contains two lengthy scenarios to play through, each taking place on Huffman Island. The game has a very detailed back-story detailing the events that led up to the confrontation of two superpowers on a small Pacific island in the late 21st century.

The first scenario follows a young captain, Royd Clive who is fighting as mercenary for the Oceania Cooperative Union. When his scenario begins, I witnessed his fiancée getting killed by opposition forces, the Unified Continental States. He loses interest in fighting but is recruited by a mercenary leader and accepts. Through his conquest of the island he receives indications that his fiancée might still be alive.

The second scenario follows Kevin Greenfield, a former high ranking officer in the U.C.S. who was stripped of his rank and sent to Huffman Island. This scenario was labeled as more difficult than Royd’s and I didn’t play any of it. Heck, I didn’t even finish Royd’s scenario; I’ve played for about a dozen hours and I’m basically halfway through his scenario at mission 13.

I spent the bulk of my time with Front Mission when I spent a week away from home, away from my consoles, and I haven’t put much time into it since then. Perhaps I would’ve remained captivated by it if there was more going on plot wise. Most of the plot advancement stemmed from minor victories against Royd’s enemy, the U.C.S., allowing his squad to gain ground on them. Also going on was Royd’s quest for his possibly still alive fiancée but this plotline developed very slowly. Recruiting new squad members introduced new characters, but I rarely saw them afterwards.

The wanzers could equip many different types of weapons so having a diverse squad helped.

Personally, I really like tactical-rpgs… from afar. Leveling up and managing a fairly large squad sounds interesting, but this eventually amounts to too much work. Another thing I dislike about the genre is the sense that there is one correct way to complete a mission; it seems I get halfway through a game and all of a sudden hit a wall. This is one area where Front Mission appeals to me. I never felt like there was one way to complete a mission. Perhaps this is due to the upgradability of the wanzers.

Battles were fought in wanzers (mecha) which could be upgraded in many ways. When I wasn’t in a mission I could set up camp in a nearby town and visit the local shop. Here, I could upgrade the weapons my wanzers had equipped and change their various parts. When I ran out of money I visited the arena and easily won more by gambling. However, this turned into a rather boring cycle of mission, new town, shop, arena, shop, and so on. Recently, I’d spend upwards of thirty minutes upgrading my wanzers, and that’s too much downtime.

The actual missions in Front Mission are turned based and battles take place between individual units like most other tactical-rpgs. Some missions have unique events and enemies, but there isn’t much diversity apart from “attack all units until dead”.

I enjoyed meeting new squad members and hearing from them, but they didn't add much.

Front Mission belongs to a genre I guess I don’t particularly enjoy but I found it more approachable than other similar games; then again I still didn’t complete it, as of this writing at least. I found the gameplay solid and very rewarding when the tides of battle were in my favor. I wish there was more to the plot, either the actual confrontation between the two superpowers or Royd’s story. Just the thought of a whole other scenario is daunting, but surely a boon for any fan of the genre.