While recording my playthrough of Ys: The Vanished Omens, I consulted the sole walkthrough available on GameFAQs every now and then. Seeing as there was just a handful of resources available for this game online, and upon realizing it was fairly straightforward, I took a shot at writing a walkthrough. Although it was a linear experience, it was still challenging composing the guide. Especially when it came time to format it to GameFAQs’ liking. Well, after many attempts, I’ve finally got the formatting as GameFAQs likes it and am now confident enough to share it here. So, if you ever need help while playing the game, give my guide a shot!
Nihon Falcom’s Ys: The Vanished Omens was originally released on a variety of Japanese home computers in 1987, and is the first entry in the long-running and still active, action-RPG series. The Sega Master System version served as the North American debut, and it came courtesy of Sega, in 1988. Although I’ve been interested in the games since discovering them many years ago, completing this version marked the first time I’ve actually played an entry, and I enjoyed the heck out of it! Narrative was light, and it proved to be a succinct and straightforward adventure, despite copious amounts of backtracking. Similarly, grinding was prevalent but it didn’t bog down the simplistic action-RPG combat. The combat was buoyed by light strategic elements and a series of fun boss fights. Now having firsthand experience with an entry, it’s easy to see why the series has stuck around.
After spending some time with After Burner and Ghost House on the Sega Master System I finally found a title to sink my teeth into. Ys: The Vanished Omens is the first game in Nihon Falcom’s long-running action-RPG series. Released for the system in 1988, I really enjoyed it and intend to publish a walkthrough and a review in due time.
About this time last year, I decided to begin playing the Star Ocean series in anticipation of the release of Star Ocean: Integrity and Faithlessness. After completing the PlayStation Portable remakes of the first two games, I finally got around to playing Star Ocean: Till the End of Time on the PlayStation 2, the third entry (discounting the Japan only Game Boy Color release Blue Sphere). Developed by tri-Ace and published by Square Enix in the United States on August 31, 2004, it’s well-regarded among many RPG fans. Conceptually, the series has always been ambitious, but I feel it was with this release that the developers were able to execute their vision in an overwhelmingly successful manner. Continue reading Star Ocean: Till the End of Time [PlayStation 2] – Review→
Outside of obtaining the branding, there’s little else Silicon Studio could’ve done to make 3D Dot Game Heroes more of a Zeldagame. This is a classic 2D Zelda game through and through, although I’m hesitant to call it a clone as that implies a derisive reaction and I truly dig this game. The developer’s love for Japanese RPGs from the 1980s/1990s exudes in the innumerable references and qualities this game shares with the genre. The polish applied is evident on all fronts, from the gameplay and side quests to the visuals and audio. It’s easy to tell this was a passion project for the studio and they delivered a quality video game in turn. Continue reading 3D Dot Game Heroes [PlayStation 3] – Review→
When you have a video game collection like mine, it can be hard to play all of the games. This is especially true when additions are made on an almost weekly basis. Still, I appreciatenearlyevery game I’ve accumulated for this reason or that. In the hopes of improving my writing through continuous effort and promoting ongoing learning of these games, I’m going to compose brief, descriptive articles.
I want to say I purchased this game this year, although it may have been late 2013. My PSP collection has seriously expanded as GameStop shifted towards discontinuing the platform in the majority of their stores. Anyway, being a fan of JRPGs I’ve always been interested in this series but never took the plunge. I knew these games were remakes from a much older line of games, but reading about the series is a good refresher on just how many games remained exclusive to Japan in the late 1980s/early 1990s. This is actually the fifth game in the series, and the third in a trilogy. I haven’t played it and while I’d like to, I can’t say when I will.
The Legend of Heroes III: Song of the Ocean was originally developed and published by Nihon Falcom and released for the PC on December 9, 1999, exclusively in Japan. It finally reached North America as a PSP remake. This version was developed by Microvision and published by Namco Bandai Games on January 23, 2007.
Coming hot off the heels of our completion of The Legend of Zelda: Four Swords Adventure, my girlfriend and I have begun another GameCube game that features Game Boy Advance connectivity: Final Fantasy Crystal Chronicles. Along with Four Swords Adventure, it’s the only other game that I can think of that featured connectivity prominently and was halfway well regarded.
Final Fantasy Crystal Chronicles was developed by The Game Designers Studio (a Square Enix subsidiary) and published by Nintendo in the USA on February 9, 2004. Apparently The Game Designers Studio was set up to work around the exclusivity deal Square Enix had with Sony at the time. Square Enix’s history is very interesting, but not worth going into for this article. What is relevant is the knowledge that the release of this game and a few others around the same time represented a reunion between Square Enix and Nintendo.
So anyways… my girlfriend and I created our characters from a modest selection of classes and options and we were off. The world of Final Fantasy Crystal Chronicles is covered in a poisonous miasma but crystals provide shelter from this miasma therefore they’re essential to surviving. Large crystals protect small villages but they lose their power over time, forcing the residents to set out in caravans each year to search for myrrh. Myrrh replenishes the protective powers of the crystals and it can be found from myrrh trees which unfortunately are located in the deepest parts of monster-filled dungeons.
When we’d enter a dungeon, we’d immediately have to set up our command list. Attack and defend were always included, but we could select from our list of items and spells what else to include, and because we were playing on Game Boy Advances, we did this on them. All we had to do to execute a command was press the A button on the GBA. We could switch our commands by pressing the L and R buttons, which were highlighted on the TV screen near our character’s information.
We’d hack and slash our way through dungeons defeating the enemies we’d encounter. Every enemy dropped an item and we found out these were essential. Food restored our health while stones allowed us to perform magic and occasionally we’d come across a stat boosting item. We found healing stones very helpful, such as stone of cure and stone of life.
The dungeons took about twenty minutes to clear, including the bosses. The bosses were many times our character’s sizes and they were very detailed, they were also tough! They had a large amount of health and dealt a lot of damage in single blows which were sometimes hard to avoid; those healing stones came into play during boss battles. During these battles we’d delegate tasks such as healing and attacking but our communication could’ve been better. Regardless, we came out on top every time.
The one aspect of the game I remember receiving the most flak for was the chalice. Because the world is covered in a poisonous miasma, we had to carry around something to protect us at all times and the chalice that collected the myrrh we sought served this purpose. The only downside of this protection was that one of us had to carry it. So every time we ran into an enemy, the person carrying the chalice would drop it, help out fighting, and then pick it back up and we’d be on our way. I could think of other ways to remain protected instead of limiting one player, but that’s what The Game Designers Studio chose to do. This isn’t the case in single player games however as there’s a Moogle companion who carries it for you. My main grievance is it wasn’t fun being the person carrying the chalice, it’s not fun being limited.
Besides the chalice limiting one player, my only other gripe with the game at the moment is the inability of the game to pause when one of us would switch to our GBA screen. Since our GBA contained our menus, changing our command list had to be done through it. This wasn’t a problem with the exception of boss battles, but I guess the workaround is to be totally prepared beforehand.
My girlfriend and I played for two hours and by the end of our session we had finished the first year. The hack and slash combat was easy to grasp although getting a three-hit combo (the max) was kind of tough to manage. Besides serving as a controller, the GBA basically hosts each player’s menus and at times, shows the brilliance of allowing each player to manage their stuff without hindering everyone else. Final Fantasy Crystal Chronicles still looks really good all these years later and I like the art style; I suppose it’s a reimagining of classic 2D RPGs with modern technology. One of my favorite things about the game so far has been the soundtrack. The composer utilized medieval and Renaissance instruments and it sounds unlike anything I can think of. Truth be told, it made me think of Ireland and The Hobbit. It’s a simple hack and slash game but thanks to the cooperative play and link connectivity, it’s piqued my interest and we’re going to continue playing it.