If anything has stuck with me from my high school driver’s ed class, it was a tip from one of the two teachers. While out on a drive, the football coach teacher (as opposed to the softball coach teacher) stated that people tend to focus so closely on the rear of the car in front of them, that they lose consciousness regarding their surroundings. Well, my stupid ass tends to do that with enemy bullets in shoot ‘em ups. I pay such close attention to them – in order to avoid them – that I inevitably and unintentionally lose track of where I am in relation, and wind up right in their path!Continue reading Raiden IV [Xbox 360] – Review
When I started playing Peggle: Dual Shot, I envisioned that it could be my next “bedtime” game. That is, something in the vein of Picross or Pic Pic, a game where I could complete puzzles through an almost Zenlike unthinking process, and perhaps listen to a podcast or otherwise just drift off to sleep. Which is a bit of an oxymoron isn’t it, since those games feature logic puzzles, which uh, require you to, you know, think.Continue reading Peggle: Dual Shot [Nintendo DS] – Review
As a kid of the 1990s, games like those included in the Raiden Fighters Aces compilation are what come to mind when I think of shoot ‘em ups. The three games included display an adherence to 2D pixel graphics, when in the mid to late 1990s, at the time of their release, 3D polygonal visuals were becoming the norm. The vehicles I piloted, those I destroyed, the villages and other locales I flew over all appeared to be grounded in reality, save for the sci-fi weaponry blotting the screen at all times. And the ludicrously high scores, now those I remember. Yep, stepping up to arcade cabinets at the bowling alley and having to count out the high score in chunks of three to see how many million points I attained, that I remember.Continue reading Raiden Fighters Aces [Xbox 360] – Review
Looking back, it’s been approximately eight years since I played the Resistance games. Like most games, I missed their time in the spotlight, but hey, they were still worth playing.Continue reading Resistance: Retribution [PlayStation Portable] – Review
After cleaning up the trophies in Tokyo Jungle and Blue Toad Murder Files, I went back through my partially played PlayStation 3 history to see if there were any other trophy lists I could mop up somewhat quickly. I was on a roll and figured I would keep trophy hunting before devoting serious time to something else, like Suikoden III. After all, whether my friends realize it or not, we’re in a never-ending competition to obtain trophies, achievements, etc. I eventually decided upon Sonic’s Ultimate Genesis Collection. The prospects of unlocking the platinum trophy didn’t seem too daunting, and to boot, it’d give me an excuse to purchase one of the Retro-Bit 2.5 GHz Genesis controllers I’d been salivating over.Continue reading Sonic’s Ultimate Genesis Collection & Retro-Bit’s Wireless Genesis Controller – Review
With F.E.A.R. 2: Project Origin, I thought Monolith Productions developed a sequel that was more focused on action than horror. It was a fine game, and enjoyable for many reasons, but I still found it somewhat disappointing compared to the original. Unsurprisingly, the expansion F.E.A.R. 2: Reborn continued down this path. Released on September 3, 2009, roughly seven months after the base game, Reborn had a novel premise but was too brief to serve as anything other than a narrative introduction to F.E.A.R. 3.
Instead of controlling the Point Man, or another member of F.E.A.R., I was actually put in the shoes of Foxtrot 813, a Replica soldier. This offered a unique perspective since the Replica soldiers were one of a few groups of “bad guys” I had faced off against. With a runtime of about an hour though, there wasn’t much time to explore this role reversal. On a routine mission, Foxtrot 813 was telepathically coerced by Paxton Fettel to turn on his squad. Fettel, of course, was one of Alma’s offspring and an antagonist from the first game. He didn’t really feature in the second game, but following his commands, Foxtrot 813 eventually made it to his puppet master. Fettel then assumed Foxtrot’s body and was, ahem, reborn.
There were many differences between the first and second entries in the series, but one I failed to mention in my previous review is the way gunplay was handled. It was an FPS released in the wake of Call of Duty 4: Modern Warfare and it showed, specifically when aiming down a gun’s sights. Pulling the right trigger to look down the sights with an enemy in the vicinity locked me onto that enemy, quickly and efficiently. This allowed for more precise gunplay, but offset with limited aiming speed adjustments and the plodding movement speed of my avatar, I couldn’t fine tune the controls to find a sweet spot that felt “right.” I made due, continuing to fiddle with the controls every now and then, but to no avail.
Between F.E.A.R. 2’s insane ending, Fettel’s appearance, and Alma’s attempts to prevent his return, I’m interested to see what happens in F.E.A.R. 3, the final installment in the series. Reborn, while offering a novel role reversal, brought little else of note to the series. The brief campaign had new environments and some exciting gunfights but was merely a proper explanation of Fettel’s return. At ten bucks, it’s hard to recommend to anyone other than zealous fans or achievement hunters.
As I engaged with allies, enemies, and explored the first few missions of F.E.A.R. 2: Project Origin, I couldn’t get over how good it looked. The visual detail present in character models and environments floored me. It was a remarkable improvement over F.E.A.R. and its two expansions, which released upwards of three-and-a-half years prior. Monolith Productions developed the first game during a transition period between console generations, while this entry was put together firmly within one, and it showed. That further familiarity with development tools and the platforms of release resulted in visual improvements isn’t surprising, however. But, personally it was a reminder of how good games of the previous generation could look, and how much improvement had been made in just a few years. Continue reading F.E.A.R. 2: Project Origin [Xbox 360]- Review
Years ago, during a PlayStation Network flash sale, I picked up Kurulin Fusion for a buck. A block-matching puzzle game for the PlayStation Portable, its sole claim to fame is the fact that Nobuo Uematsu served as musical director. The legendary composer, best known for his involvement with the Final Fantasy series, didn’t actually contribute any music for this game, however. Instead he provided instruction to Kenichiro Iwasaki, who arranged techno remixes of classic Johann Sebastian Bach compositions. Regardless of Uematsu’s level of involvement, the soundtrack was a delight and full of hummable earworms. The game, on the other hand… Continue reading Kurulin Fusion [PlayStation Portable] – Review
In an effort to begin a new tradition, my friend and I decided to kick off the New Year by completing a “bad” game. We’d done this previously, completing Fugitive Hunter: War on Terror at my behest back in 2012. It was a barely competent first-person shooter that was otherwise unremarkable, save for the ludicrous fistfight against Osama Bin Laden that capped it off. This year, we compiled a list of suitable titles from my collection, paired them against each other in the Tournament of Terribleness and wound up selecting Eat Lead: The Return of Matt Hazard as the game we’d start 2017 with. Oh boy.
When I began writing about Uncharted: Drake’s Fortune, I considered it the high-water mark of the PlayStation 3’s library, at that point in the platform’s lifecycle. Having completed its sequel, Among Thieves, I can testify that it unquestionably usurped that role, and deserves recognition as one of the best games of the contemporary cinematic era. Originally released in North America on October 13, 2009, Naughty Dog maintained the excellent blend of third-person, cover-based shooting and wowing traversal that put the series on the map with the first game. What carried my interest however was the engaging narrative. Characters both familiar and fresh intertwined with Nate’s search for Marco Polo’s lost fleet. Danger and drama kept Nate busy across the game’s dozen hour runtime and the numerous set pieces often had me in disbelief and culminated in an experience that played like a greatest hits of the action-adventure genre. Continue reading Uncharted 2: Among Thieves [PlayStation 3] – Review