There’s not much to say about Shanghai. It is solitaire mahjong and I’ve found it relaxing and enjoyable. Developed by Brodie Lockard, it was originally published by Activision on nearly every home computer in the mid/late 1980s. This version was ported by Sega and released in 1988. My sole objective was clearing all mahjong tiles from a randomly assembled pyramid by matching up “free” pairs. A tile was “free” if it had no tile on top and a free space to its left or right. For the most part, it was a game of hide and seek embellished by the quantity of tile designs and somewhat indistinguishable assemblage. Thanks to a helpful pair-finding option, I never grew frustrated when my search for a match persisted. Even after continuous losses, I was eager to dive back in and start fresh. It was oddly satisfying to locate pairs and watch the pyramid disappear. Plus, the soundtrack was quite invigorating! Easy to learn and endlessly replayable, Shanghai is worth checking out.
Ghostbusters really caught me by surprise. My formative video game years occurred during a generation when almost every movie tie-in was garbage. It wasn’t always that way but I was nonetheless blown away by the ambition and, mostly, enjoyable execution of the multiple gameplay genres and mechanics in this game. Further research shed a light on why I felt this way: David Crane designed it! He was one of the early luminaries of the video game industry with a spate of terrific and influential titles to his name. Now truly, this game didn’t begin life as a Ghostbusters tie-in, but the concepts originating in the film were applied and executed in such a way that that fact is not obvious. Continue reading Ghostbusters [Sega Master System] – Review and Let’s Play→
With the announcements of new Rock Band and Guitar Hero games, my vigor towards those titles currently in my collection was reignited. Coincidentally, it wasn’t too long before these announcements that I had procured a copy of Green Day: Rock Band. It had been sitting in my closet for a while and with this redeveloped enthusiasm, my partner and I got the plastic instrument band back together. To be fair, achievements did play a role too.
We jammed through Green Day: Rock Band in a single sitting – complying with the requirements for one of the game’s endurance based achievements. It didn’t make him a fan of theirs and didn’t make me anything more than the casual fan I already was. We conquered, and moved onto Guitar Hero: Van Halen a week or so later. We aimed to do the same with it, but called it quits early on when we realized the achievements wouldn’t pop for the both of us, only the primary player. For us, this was a nightmarish callback to the launch of Guitar Hero III: Legends of Rock.
I purchased that game on a break between college classes and when school was done for the day, we rocked the evening away in a single marathon session. When all was said and done, I had the medium co-op achievement pop, but nothing happened for him. After the fact research yielded our answer: nothing would unlock for the secondary player. What a jip! What were people supposed to do to unlock the four co-op related achievements? Bribe friends, put out an ad on Craigslist? Keeping in mind that the difficulty achievements didn’t stack meant all related songs would have to be played through four times, each on a different difficulty. Needless to say we didn’t start a new co-op career on another difficulty.
So, I was left to finish Guitar Hero: Van Halen on my own. Unlike the crotches of 80s rock stars, it wasn’t bulging with content so it was a relatively brief affair. I did discover a few of their lesser-known songs though. All this recent Guitar Hero and Rock Band playing had me curious towards the older games in my collection, specifically, ones with achievements that I hadn’t obtained. Perusing TrueAchievements signaled that I may be able to clean up a few achievements in Guitar Hero II – namely completing the game on expert and a co-op achievement or two. This was a possibility because the co-op achievements unlocked for both players.
So I fired up Guitar Hero II and was greeted with a nearly complete expert playthrough – I was four songs away. Of those, I only had access to three. The first one I attempted was “Misirlou” by Dick Dale. Although you may not recognize it by title or performer, if you hear it, you’d likely be able to place it – surf rock of the 1960s. Surprising myself I passed it with flying colors barely scraping by on my first time. “Wow! I can do this” I exclaimed to nobody but myself. My next attempts – “Institutionalized” by Suicidal Tendencies and “Hangar 18” by Megadeth put the difficulty level into perspective.
I didn’t give up though. On my initial attempts with those songs I was able to clear more than 80 percent on each. A few days passed before my next attempts but with those I played the songs over and over and over again, getting better at performing the tricky hammer-ons and pull-offs and learning the crucial moments to activate Star Power. One by one I conquered the songs until I was left with game-ender: “Free Bird” by Lynyrd Skynyrd. I sat through the first few minutes of that song no less than a half-dozen times thanks to the tricky solos. Eventually, everything synced and I was able to scrape by. Achievement unlocked.
When you have a video game collection like mine, it can be hard to play all of the games. This is especially true when additions are made on an almost weekly basis. Still, I appreciatenearlyevery game I’ve accumulated for this reason or that. In the hopes of improving my writing through continuous effort and promoting ongoing learning of these games, I’m going to compose brief, descriptive articles.
Now here’s a game I’ve actually played! Albeit, not in a very long time. Back in my achievement hunting days, I’d call this “an easy 200.” Gamerscore that is, but in truth, this was actually a decent golf game. Even with the limited experience I had with golf games, I was able to jump right in and have a good time. The only downside was the limited amount of content – reading about it now, the game has two courses (both 18 holes) with an additional one available for purchase. Pretty weak, still, for the handful of days that I played it, it was enjoyable and the online multiplayer was a plus.
Golf: Tee It Up! was developed by Housemarque, most recently known for their standout efforts on PSN, such as Super Stardust HD. It was published by Activision on Xbox Live Arcade on July 9, 2008.
When you have a video game collection like mine, it can be hard to play all of the games. This is especially true when additions are made on an almost weekly basis. Still, I appreciate nearly every game I’ve accumulated for this reason or that. In the hopes of improving my writing through continuous effort and promoting ongoing learning of these games, I’m going to compose brief, descriptive articles.
By the time Guitar Hero: World Tour released, I had not only moved onto Rock Band, but moved away from acquiring the annual rhythm game. This being 2008, the genre was red hot and hadn’t been flooded quite yet. World Tour was Activision’s attempt to evolve the Guitar Hero series into a full-fledged band game and by all accounts, they were very successful. Not only that, they introduced a few differentiating features such as the music creation tools and a drum kit featuring cymbals. I only picked it up this year for a dollar or so and have yet to play it. I’ve been hooked on this type of game before and at the very least, I’m looking forward to playing through the game with a friend.
Guitar Hero: WorldTour was developed by Neversoft and released in North America on October 26, 2008. It was available for a plethora of platforms: PlayStation 2, Xbox 360, PlayStation 3, Wii, PC, and Mac. The PS2 and Wii versions were ported by Budcat Creations and Vicarious Visions, respectively, while the PC and Mac versions were ported and published by Aspyr Media. These last two were released on July 26, 2009. Activision published all other versions.
Here it is – my final article about Activision Anthology. After 41 straight days of articles and 44 games covered, I’m fixing to discuss the final two games on this magnificent compilation. These are unlike anything else on the collection as they were originally unreleased.
First up is Kabobber, a game discovered in 2000. I’m not sure of the story behind its discovery, but it was cleaned up before being released to the internet. In fact, much credit is presumably due to Dave Giarrusso, the man responsible for the manual. It can be found here, at AtariAge. The game was designed by Rex Bradford and is a weird action game.
Players control a small squad of Buvskies and progress down a grid, growing their squad and avoiding or destroying enemies in the hopes of reaching the Princess Buvsky before she exits the stage. The controls were very precise which allowed for no uncertainty when playing, but the overall game lacked polish. This is understandable as it was unreleased, but even as is, I didn’t find a sweet enough set of mechanics or rewards to enjoy it for long periods of time.
Next up is Thwocker. This game’s rediscovery is so cool. Imagine shopping at a local thrift store and stumbling upon an unassuming Atari 2600 with a stock red label on it. Being the video game enthusiast you are, you pick it up anyways because it’s a pittance and it might be a game you don’t have. For AtariAge’s d8thstar, it was more than just another game; it was an unreleased prototype that had been floating around for twenty odd years.
Like Kabobber, Thwocker is an interesting action game that, unsurprisingly, isn’t all there. Controlling a little composer, players bounce around stages trying to pick up musical notes in the correct order. This composer is made of flubber though and controlling him is easier said than done. I found it to be a little frustrating. The game looked advanced compared to many of its contemporaries, but overall, it was a little flat.
If 10,000 points are scored while playing Kabobber in Activision Anthology, a commercial will be unlocked. This commercial is a montage of some early Activision titles that features truly amazing transitions of pixilated characters into the real life counterparts that games are replicating.
If you’ve been reading along with every article or even just a few, I’m truly appreciative. Also, thanks to those who liked my articles. I’m grateful for that outreach and the community we can create on WordPress with our likeminded blogs. I’ve had fun keeping my schedule of an article a day and look forward to a similar challenge. Perhaps more importantly though, I’ve had fun discovering Activision’s early catalog of video games. The majority of these are undisputable classics. Thank you!
Like my last article, this one will cover a few games that I passed over writing about, and that my friend and I passed over playing. Unlike Bridge and Checkers though, these three weren’t really meant for competition. All are flight simulators of different stripes. Starmaster is a sci-fi flight simulator akin to Atari’s Star Raiders. Space Shuttle: A Journey into Space simulates a NASA operation and lastly, Tomcat: The F-14 Fighter Simulator lets players act out the role of a top gun.
What’s fascinating about these games is how the designers were able to implement them on the Atari 2600. After all, the platform’s main method of input was a joystick with a single button. My first thought when approaching these was how the heck they were going to make something decently complicated like a flight simulation using a controller with one button. The answer is ingenious.
Turning and pushing the plethora of knobs and buttons found in the cockpit of these flying craft is done by hitting the toggle switches on the console itself. This blew my mind. What a stunning workaround that allowed these simulations be complicated. And really, that’s what players of these games are looking for, right – something complicated?
I wouldn’t know. I’ve never been a fan of flight simulations, although I think I can understand the appeal. Humankind has desired to make flying craft since we first saw birds. For the past one hundred or so years, this has become a reality. Still, piloting airplanes is a task that appears to require a high level of smarts and skill – let alone flying spacecraft. Replicating this act makes for a solid use of the medium.
That being said, I don’t know much about these games having only played a smidgen of them on Activision Anthology. I’ll admit, they seem mighty complicated, so much so that I wasn’t ready to invest time learning how to play them. The manuals for these three range from the average manual size of around eight pages to the gargantuan thirty-two. That last one is Space Shuttle and its manual highlights something that makes these early Activision titles so great. The passion that oozes out of these manuals and the refined gameplay so often found in the games I’ve written about. Although these three aren’t titles I’ll delve into, I know someone has, and they loved every minute of the experience.
These three games were designed by Alan Miller, Steve Kitchen, and Dan Kitchen, respectively and were released in 1982, 1983, and 1988, respectively. When played in Activision Anthology, a commercial and four patches can be unlocked for Starmaster, two patches for Space Shuttle, and nothing for Tomcat.