I don’t want this review to sound too acrimonious, but I had a lousy experience with Final Fantasy VI. It’s a game I started a couple of times over the past few years, only to burn out early on. By the time I began playing this game, soon after completing the two prior entries, I suffered from a Final Fantasy fatigue. With a few years between my last attempts, I finally restarted this summer and managed to beat it. While I enjoyed much of my playthrough this go-around, my impressions were still negatively colored by those initial burnouts, especially after listening to years of praise for this entry, often cited as the greatest in the series. Opinions are malleable, and mine will undoubtedly grow rosy with the passing of time, but as of this writing I feel this is the weakest Final Fantasy on the Super Nintendo. Continue reading Final Fantasy VI [PlayStation] – Review→
Who is Commander Shepherd? Is he simply an avatar for players, or is he a distinct character who evolves over the Mass Effect series? Since beginning Mass Effect 3, I began pondering this question. In the most recent game, BioWare and EA made this game more open to new players by introducing a mode where decisions are taken out of the player’s hands, in essence creating a Shepherd with a personality, morals, own thoughts, et cetera. Not only that, but Shepherd has dreams in Mass Effect 3, implying further that he is his own person.
I believe Commander Shepherd is a blank slate. Through the decisions the player makes, he gets filled in. As the three-game story arc progressed, Shepherd grew, maybe. As the player, we can make any of the available decisions we want willy nilly. I assume that most players are role-playing their Shepherd as either a paragon (good) or renegade (bad). However, we can ultimately make nearly any decision we want, whether it fits in line with our Shepherd’s alignment or not. So long as we’re role-playing Shepherd with an eventual goal in mind, he does grow as a character. Otherwise, he’s just a mishmash of what we’re feeling at the moment.
I argue that Commander Shepherd is an avatar for the player so they can build an emotional connection to fully enjoy the depth of the games. The positions Commander Shepherd takes are entirely representative of us. My Shepherd had distinct characteristics that are also found in me. I imagine this is the same for anyone who describes Shepherd as “their” Shepherd. The only reason we would ask ourselves what Shepherd would do in a specific situation is because we have already crafted what Shepherd would do because he is a version of ourselves. Shepherd isn’t a distinct character that has his own viewpoint, his viewpoint is ours.
However, for Shepherd to truly resonate with us and allow us to build an emotional connection, he does have to be a distinct character. He has a back-story and interacts with others more so than a silent protagonist. In reality, he’s akin to the silent protagonist of so many other video games. In a way though, Shepherd is the next step of the silent protagonist. He is a blank slate for players to utilize and choose their own choices thereby creating a character, but he does have a voice (figuratively and literally).
Writing down my thoughts about Commander Shepherd has made me think more about the avatars we play as in video games. There are many ways to get players involved in a video game and there are a lot of variables. Commander Shepherd can’t be pinned down as a silent protagonist or a distinct character because he’s a combination of these two alternatives. Truly though, I’d argue he’s closer to a silent protagonist because the decisions he makes are in the player’s hands and therefore, they’re really the stars of the game.
Mass Effect 3, what a game! BioWare and Electronic Arts have closed out the trilogy amid much controversy. The increased amount of related downloadable content and the botched ending have irked many people. Still, the proof is in the pudding and Mass Effect 3 retains the high pedigree associated with the previous two games.
As was the case with Mass Effect 2, Mass Effect 3 plays more fluidly than its predecessor. Commander Shepherd has a newfound agility that allows him to weave around a battlefield much better than he’s ever been able to. Still there are some annoyances that make Shepherd’s movement feel very rigid. Turning while running was a process I had to become accustomed to and getting into cover was oftentimes finicky. For instance, when I’d run into a wall at an angle, Shepherd wouldn’t get into cover; to get into cover, I’d have to hit it head on. These are a few minor annoyances but overall, Shepherd’s agility is net gain in my book. As far as other elements of the gameplay getting improved, any enhancements were either very subtle or not worth mentioning. The game plays better than ever.
I’ve played as a soldier in each of the Mass Effect games and compared to the other classes, it’s a relatively boring one. Thankfully, the big addition to the series – multiplayer – allowed me to play as the other classes and experience their specialties easily. It’s a much lower barrier of entry then just creating a new character for the single player.
In the multiplayer, teams of four battle through about ten waves of enemies. Most of the time, survival is the only focus although every few waves, teams are tasked with uploading important data, guarding an important terminal, or taking out specific enemies in a timely fashion. I thought the multiplayer was okay, but feeling like I had to do it dragged down my feelings of it.
Mass Effect 3 integrates the multiplayer into the single player and represents the conflicts as actual battles that the good guys are fighting. Each multiplayer arena resides in a galaxy and each galaxy has a readiness rating. Each galaxy begins at 50% and for me, it was necessary to get the average up to about 70% to get the “perfect” ending. And since I was getting it that high, I figured I might as well get the overall number up to 100% to get the achievement for doing so. This was additional time to me because it forced me to halt my single player game and focus on the multiplayer for about ten hours, instead of enjoying it after “the main attraction” concluded.
“The main attraction” in my book is the story and with this I was fulfilled. It was inevitable that the trilogy would end with this, the third game, but as the first few hours of Mass Effect 3 make clear, there was still much work ahead of Shepherd. Constructing a force large enough to deal with the Reapers required Shepherd to put to rest events that have affected the galaxy for hundreds of years. Dealing with the genophage and the Quarian/Geth problem are two of the subplots that stick out largest in my mind.
Still, I can think of other, very memorable moments that may not have had a major impact on the universe as a whole, but affected me greatly. Whether it was losing close allies or making gut decisions on the fly, Mass Effect 3 had some memorable moments. Plus, seeing people I spared in the previous games reappear and discovering how past decisions reverberated was neat too. All the while, these decisions played into Shepherd’s war assets. In combination with the aforementioned readiness levels obtained through multiplayer, the war assets dictated what endings would be available. It’s weird to have every decision I’ve ever made to be distilled into a quick number, but it’s great for comparison to other players!
When everything is said and done, Shepherd once and for all deals with the Reapers. There’s been so much fuss over the ending that forming an opinion is a tough task when there’s so many others floating around on the internet. I had multiple options available to deal with the Reapers, and they were pretty diverse. While I got the “perfect” ending, everything didn’t turn out perfectly. I believe a lot of anger has been directed at the vague resolution of what key characters do after the events of the game, and that’s fair. I also think it’s fair that if players have spent over one hundred hours in this universe, they have enough to go on to form their opinions of what everyone did. Still, recent revelations over the “true ending” downloadable content give me a sourer outlook of the ending.
Overall, I’m pleased as punch with Mass Effect 3. It’s the best playing game in the series and thanks to the multiplayer I have a better understanding of every character class. Leveling up characters in it is pretty fun to boot, as long as I’m not “forced” to do it; most importantly though, I’m pleased with the conclusion of the trilogy. The bevy of events throughout the game was entertaining and I know that if I slightly changed my decisions, they could’ve ended up entirely different. Ultimately though, Commander Shepherd did what he set out to do from day one: deal with the Reapers.
The final piece of downloadable content for Mass Effect 2, Arrival, leads directly into Mass Effect 3 and explained away some of the confusion I had after playing the demo for the trilogy’s finale.
Admiral Hackett reaches out to Commander Shepherd and asks him to undertake a rescue mission solo. An agent of Hackett’s has been working in Batarian space and has uncovered substantial evidence relating to the arrival of the Reapers. She has been apprehended by the Batarians however and is currently in prison. The Batarians and humans have a frayed relationship and if Hackett sent in a squad, this would cause turmoil; much like the relationship between the USA and Pakistan when a special forces squad took out Osama bin Laden. This relationship is why Hackett is asking Shepherd to go it alone. Hackett explains that it’s better for the operation to be viewed as the act of an individual rescuing a friend, rather than an act by the Alliance itself.
So, Shepherd sneaks into the prison and rescues Dr. Amanda Kenson and the two then battle their way out and back onto the asteroid that houses Dr. Kenson’s base. When they arrive Shepherd is shocked to see what Dr. Kenson has found – a Reaper artifact, and one that’s out in the open. Shepherd is immediately worried that everyone on the base has been indoctrinated as Saren had been in Mass Effect; Dr. Kenson claims that’s not the case and they begin discussing the importance of her find.
What Dr. Kenson has gathered relates to the Reapers arrival through the mass relays. Her crew had developed a plan to crash the asteroid her base resided on into the nearby mass relay, preventing the Reapers from entering the solar system. However, they had a change of plans because they had been indoctrinated. They overtake Shepherd who wakes up days later as his window of opportunity to save the day is shrinking. Shepherd proceeds to blast his way through the indoctrinated Alliance members until he reaches a lacking conclusion.
One of the hallmarks of the Mass Effect games has been the ability to shape Shepherd and the universe around him through key decisions. Arrival finishes in a way that seems (almost) ideal for a chance to make hefty moral decision but whimpers out, in spite of an explosion.
Arrival leads directly into Mass Effect 3 (despite the two year gap between games) and explains away my confusion over the soon to be released finale’s opening. Arrival is heavily combat skewed and not having Shepherd’s crew is pretty lame. It’s probably ideal to play Arrival to fully understand Mass Effect 3, but compared to the three other DLC packs for Mass Effect 2, it’s my least favorite. Plus I’ve explained much of the DLC anyways so go figure.
I played the final piece of downloadable content for Mass Effect 2 last week, Arrival, and I haven’t had the time to write about it yet. It was decent, but didn’t grab me as much as the other ones I’ve played. I will push an article out in the coming days as I should have more time to write.
Other than that, gaming last week was pretty sparse. I played a couple hours of Skyrim plus the weekly co-op session of NBA Jam: On Fire Edition that I’m used to, but school and work took up the brunt of my time last week. Oh, and I played a little bit of Phantasy Star.
Also, my girlfriend and I played through the first world of New Super Mario Bros. Wii. I don’t have much to say about that. It was fun to play a Mario game cooperatively and it seems like a really solid platformer.
Remember when I was ate up with Mass Effect and I played everything I could, including the DLC for Mass Effect 2 in a few month span? Well, to prepare for the release of Mass Effect 3 I figured it was time to revisit Mass Effect 2 and play through the two remaining pieces of DLC I saved. Luckily for me, I probably left the very best one to begin with.
Lair of the Shadow Broker sees Commander Shepherd receiving valuable information on the whereabouts of the mysterious figure whose influence Shepherd has occasionally felt. He, or perhaps it, is similar to a gang lord that deals in information. He has a supply chain consisting of an innumerable amount of henchmen that is able to span the galaxy and gather information. With this supply chain, he’s able to control information so well that little is known about him; it helps that no one who has seen him has lived to tell the tale.
When Shepherd left Liara T’Soni on Illium in Mass Effect 2, he left her as she continued her search for the shadow broker’s whereabouts. Liara has been tracking the information overlord with a vengeance, believing him to be the cause of a partner’s death. When Shepherd receives the information on the shadow broker, he naturally thinks of Liara. Thinking the information is too good to be obtained by just anyone, Liara believes the source of the info is her previously thought dead partner, giving her even more reason to ally with Shepherd again.
Before leaving the financial capital of the universe, Shepherd and his squad deal with the can of worms that hunting an information magnate opens up. An assassination attempt on Liara keeps her and Shepherd separated, but it’s not long before his squad, and Tela Vasir, an asari Spectre meet back up with Liara in an enemy-filled skyscraper. That Spectre double-crosses them, leading to a chase scene between the towering skyscrapers of Illium. This chase scene was very fun and reminiscent of similar futuristic chase scenes from popular science fiction movies. Liara and Shepherd eventually catch Tela, but not before waging battles against more henchmen and passing through a high-end brothel. Tela was a very strong adversary and I had a hard time with this boss fight – I was playing on the second hardest difficulty level however. Afterwards Shepherd gave the most fantastic line of dialogue (paragon choice) when Tela took a hostage. He subsequently chastised Tela with underwhelming reasoning that, when applied to Shepherd himself, doesn’t hold water.
With Shepherd, his squad, and Liara all together again, their search for the shadow broker begins in earnest and leads them to a planet with extremely harsh weather patterns. The shadow broker resides in an enormous starship that remains hidden in an ongoing storm. Landing on the starship, they have to deal with the shadow broker’s henchmen before gaining access to the interior, at which point they have a few more quick bouts with yet more henchmen before finally meeting the shadow broker.
The shadow broker hails from a pre-spaceflight race of aliens that are ferociously deadly, quick learners, yet they’re unable to cooperate with other races, let alone each other. Hence, the shadow broker represents the first (and possibly only) time players will get to see this race of alien. The ensuing battle was representative of a lot of video game boss fights; figure out the boss’ pattern, exploit the boss’ weaknesses, repeat two more times. Not that that’s bad, I really liked this boss fight; it was balanced much better compared to the battle against Tela, and it gave Shepherd a chance to flex his melee skills.
Lair of the Shadow Broker concludes with a fantastic role reprisal that should have major consequences for the upcoming Mass Effect 3. Thanks to the shadow broker’s diligent record keeping, there is plenty of fun information to sift through on Shepherd’s squad and other important characters in the game after the conclusion. And there is an epilogue of sorts with Liara and Shepherd having a heart-to-heart conversation of their strengths and weaknesses and the lack of clarity relating to what the future has in store for every living being.
Lair of the Shadow Broker was a lengthy addition to Mass Effect 2 with a conclusion whose effects should be felt throughout the remainder of the series. The DLC is well worth the price and should be required playing for anyone with a copy of Mass Effect 2.
I am stoked for Mass Effect 3! Playing the demo reminded me that I don’t have to wait much longer for it. Playing the demo also reminded me that I still had two pieces of Mass Effect 2 DLC I needed to play. I grooved on Lair of the Shadow Broker a few nights ago and will write a review of it soon. It’s solid though; of the three “main” pieces of DLC, I’ve enjoyed it the most and find it the best deal, and that’ll probably be the case after playing the final piece – Arrival, which I’ve read mixed reviews of.
I made the decision early last week to discontinue playing Phantasy Star, not because I completed it but because I figured I’d gotten what I wanted out of it. I played enough to get about halfway through it and thought the time I’d have to dedicate to it (another ten hours?) wasn’t worth it. I then changed my mind later in the week. It’s light enough that I can listen to a podcast and zone out before bed, plus I’d really like to complete it after reading it’s Wikipedia page and seeing that it’s garnered much praise over the years.
And of course, I’ve continued playing Skyrim, last week focusing more on the main quest.
Of the games announced for release this year, Mass Effect 3 is easily the game I’m most looking forward to. It’s a series I only fairly recently began playing – I completed the first two games in early 2011, but it’s a series I’ve quickly become infatuated with.
After a minute or two of customizing Commander Shepherd, the game proper began. Shepherd watches as a young boy plays with a toy before he is quickly ushered to speak with important political figures. Having not played the final piece of DLC for Mass Effect 2 (Arrival) I was a little confused on why Shepherd wasn’t in the position of power he formerly was. Whatever happened in Arrival, Shepherd stood trial for it and Lieutenant Anderson had a role in defending him. During this meeting, the Reapers land on Earth and begin causing havoc. Shepherd was brought in for a conversation on what to do and there were a few more times during the demo that I had conversations, although my options in these were very limited.
This stage sees Anderson and Shepherd fighting their way through groups of the zombie-like husks in order to reach the Normandy and escape. Anderson’s plan is for Shepherd to return to the Citadel and convince the other alien races that the Reapers are here and the only way anyone is going to survive is to work together. During this scene, Anderson and Shepherd battled husks and scaled destroyed buildings as the enormous Reapers launched attacks. It took about twenty minutes all in all and at the end, Anderson decided to stay on Earth and lend a hand to the fight on Earth. This stage had a strong subtext that the heroes were not going to be able to save everyone and I imagine there’ll be dramatic outcomes to the choices Shepherd makes throughout the game. As Shepherd flies away, he watches the young boy from earlier board a doomed escape vehicle.
The demo had another stage, this one farther into the game. It allowed me to upgrade Shepherd and his party of Garrus and Liara from the ground up, choosing which stats and abilities to upgrade. The gang arrived on the Salarian home planet in order to rescue a female krogan – an important concept for anyone familiar with the series. This stage had many familiar faces including Wrex, back in cahoots with Shepherd, and Mordin, the brilliant Salarian doctor. This stage was totally action-orientated and reintroduced me to Cerberus. Cerberus, for whatever reason, is trying to get to the female krogan, and it seems like they’re going to be a constant pain in Shepherd’s butt. This stage had many more weapons than the previous one and allowed me to use my party’s abilities. It didn’t take long for me to develop powerful combinations and become the Spectre I once was.
Mass Effect 3’s combat was really responsive and fast-paced, and blending my party’s weapons and abilities is still super fun. Even though it’s not an improvement, the information I got from targeting enemies was still super helpful; knowing their health and shield levels was vital to developing combinations of weapons and abilities. It seems like there’s a multitude of ways to spec Shepherd and his group still and I can’t wait to dive into the full game and end the trilogy when it releases March 6, 2012.
In remembrance of 2011, I thought I’d compile a list of what I thought were the ten best games I played this year. Considering that I don’t play a ton of recent releases, a lot of this list will be older games. As anyone who reads this blog will note, that’s in line with what I actually play. Rather than ranking these games, I’ll simply alphabetize the list.
Animal Crossing: City Folk – This game is up there with Skyrim in the amount of time I devote to it. It’s awfully familiar to previous games in the series but I still find it as addictive as ever. I also had fun getting my friend into it and playing with him.
Batman: Arkham City– What a game! I loved Arkham Asylum and this game upped the ante in so many ways. Such a large environment with so much to do!
Mass Effect 2 – I had so much fun discussing this game with others, more importantly though, I had so much fun playing this. The gameplay was much improved over the first game and even though there were a lot of things taken out, the options I had were still astounding.
Mansion of Hidden Souls – An unusual pick for sure but this game turned my friend and I onto an unfamiliar genre and we’ve had a lot of fun solving puzzles in similar games since playing this.
Vanquish– Platinum Games took the usually slow moving military third-person shooter and blended it with Japanese quirks. A fantastical futuristic setting, a story with some ridiculous moments, a lot of great set pieces, and super fun and fast-paced gameplay.
You Don’t Know Jack – A stellar mulitplayer game that received a ton of rotation at my house. A great value.
Actually threw a lot of posts up last week. Got my Vanquish review up along with two DLC reviews relating to Mass Effect 2. One of those DLC reviews I had written and forgotten to edit and post earlier in the year, but better late then never, eh? With those done I only have two more packs of DLC for Mass Effect 2, but I don’t anticipate playing them too soon.
After completing Vanquish (twice!) I’ve turned my attention to Aqua Teen Hunger Force: Zombie Ninja Pro-Am for the PlayStation 2. I imagine it won’t take me too long; it seems pretty short as I’m already a third of the way through it! I have also been playing Superbrothers: Sword & Sworcery EP for iOS. It’s a point-and-click adventure game, but the developers have emphasized the art style and audio design more than the gameplay. It’s pretty cool.
I have finally checked out the contents of the Devil May Cry 4 collector’s edition fully which means… a review of both the game and the collector’s edition will be posted this week! Expect those Tuesday and Wednesday. The last productive thing I did last week was play through the demo for El Shaddai: Ascension of the Metatron on the PlayStation 3. It’s an action game, but like S:S&SEP, it focuses more on the art style than the gameplay. They’re both competent games, but not the best in terms of their gameplay.
So expect two posts attributed to Devil May Cry 4 and my thoughts on the demo for El Shaddai: Ascension of the Metatron this week for sure, and maybe something else.